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・ Chester Beatty Library
・ Chester Beatty Medical Papyrus
・ Chester Beatty Papyri
・ Chester Bennington
・ Chester Bidwell Darrall
・ Chester Biscardi
・ Chester Bjerg Formation
・ Chester Bliss
・ Chester Borough, New Jersey
・ Chester Borrows
・ Chester Boughton Hall Cricket Club
・ Chester Bowles
・ Chester Bowman
・ Chester Brewer
・ Chester Bridge
Chester Brown
・ Chester Brown's autobiographical comics
・ Chester Brown's Gospel adaptations
・ Chester Burleigh Watts
・ Chester Burn viaduct
・ Chester Burnett (American football)
・ Chester Burnham
・ Chester Business Park
・ Chester by-election, 1869
・ Chester by-election, 1916
・ Chester Byerly
・ Chester C. Bolton
・ Chester C. Cole
・ Chester C. Gorski
・ Chester C. Thompson


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Chester Brown : ウィキペディア英語版
Chester Brown

Chester William David Brown (born 16 May 1960) is a Canadian cartoonist and, since 2008, the Libertarian Party of Canada's candidate for the riding of Trinity—Spadina in Toronto.
Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological ''Ed the Happy Clown'' serial. After bringing ''Ed'' to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Seth and Joe Matt, and the contemporary autobiographical comics trend. Two graphic novels came from this period: ''The Playboy'' (1992) and ''I Never Liked You'' (1994). Surprise mainstream success in the 2000s came with ''Louis Riel'' (2003), a historical-biographical graphic novel about rebel Métis leader Louis Riel. ''Paying for It'' (2011) drew controversy as a polemic in support of decriminalizing prostitution.
Brown draws from a range of influences, including monster and superhero comic books, underground comix, and comic strips such as Harold Gray's ''Little Orphan Annie''. His later works employ a sparse drawing style and flat dialogue. Rather than the traditional method of drawing complete pages, Brown draws individual panels without regard for page composition and assembles them into pages after completion. Since the late 1990s Brown has had a penchant for providing detailed annotations for his work and extensively altering and reformatting older works.
Brown at first self-published his work as a minicomic called ''Yummy Fur'' beginning in 1983; Toronto publisher Vortex Comics began publishing the series as a comic book in 1986. The content tended towards controversial themes: a distributor and a printer dropped it in the late 1980s, and it has been held up at the Canadian border. Since 1991 Brown has associated himself with Montreal publisher Drawn and Quarterly. Following ''Louis Riel'' Brown ceased serializing his work to publish graphic novels directly. He has received grants from the Canada Council to complete ''Louis Riel'' and ''Paying for It''.
==Life and career==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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